
In mid-2008 I decided to get organized around what had until then been sporadic literary submissions. A color-coded Excel spreadsheet was born (of course). Over the years it grew to multiple tabs, and the 2008 tab tells me my first submission tracked there was June 26th, 2008. Since today is June 28, 2016, cursory mathematics indicates that I have been at this for eight years!
I aim for a submission a week. I’ve hit something like 70% of that target, racking up 297 total submissions. My stats (so far) are:

Besides getting published, and having lots of fun with Excel along the way, I’ve learned some things. Here, for your perusal, are eight lessons I’ve learned in eight years of doing literary submission:
- There’s a lot of research involved. Not all journals are created equal- Some publish only a fraction of a percent of what they receive, and may not be worth your time, especially if you’re just starting out. Some have a reputation for being dynamic, others conservative and stodgy. Some have particular preferences for style & genre, or focus on a particular gender, geography, ethnicity, or subject. I needed to learn to pay attention to all of this in order to increase my odds.
- The process has its own rewards. There are many ways to go about this research. Duotrope can help. So can New Pages. Pay attention to where your writer friends are submitting. (If you don’t have writer friends, get some! Writing is a solo activity, which makes community even more invaluable.) When you see a bio of a newer writer you like, look at where they’re publishing. Flip through journals to see what you like. Subscribe to some, or read their online selections. After I’d done this kind of research a while, I started to see connections between my writing, others’, and the publishing world. Ideas about where to submit, and even what to write, bloomed.
- A rejection with content is worth its weight in gold. I’ve written about this before, but rejection is not the enemy. Form rejection, with absolutely no clue a human being actually read it, is. The vast majority of rejections I’ve received have been via form letters/e-mails. The rejections that mention something they liked or didn’t like, and maybe even have a suggestion or two, are totally welcome to me now. Both for their rarity, and the fact that they give me something I can use to improve.
- You may never hear back from some places. If you look at my stats above, you’ll see that around 25% of my submissions are still pending. Some have been pending for years. I’m going to go out on a limb and say that, for example, the 25 submissions I still have pending from 2008-2010 probably aren’t going to get published. Some journals will tell you up front that they do not promise a response. Some don’t, and you won’t hear anything except the eerie whistling wind echoing through the dusty, abandoned caverns of the Internet…
- Being asked to send something else doesn’t automatically mean you’ll get published. This one was a surprise to me. But, in fact, when I submitted something new to places that had passed on something earlier but said they liked it and wanted to see more, they more often than not didn’t publish my new submission. After editing at Mud Season Review, I have some sympathy for this. Whatever the intangible “it” was about the almost accepted piece, the next thing they send often doesn’t have it. Maybe the lesson for publishers is to take the first thing?
- Having something accepted doesn’t automatically mean you’ll get published.
This was even more surprising to me. But, things happen. Editors leave. Editorial schedules and directions change. Journals run out of funding for the planned issue. Or journals run out of funding, period. Which brings us to.. - If you keep at it, you’ll outlast some of them. More than once, I’ve had the experience of getting an e-mail (or even, in prior years, a letter) that turned out not to be an acceptance or a rejection. Instead, it was a journal announcing, regretfully, that they were hanging it up for one reason or another. It turns out it’s a tough gig for everyone, publishers and writers!
- It’s totally worth it. Somewhere in the midst of the vale of research, rejection, missing communications, vanished journals, etc., a real live publication happens. Then another. Eventually, you have an actual body of Published. Work. It’s not only gratifying to see yourself in print, it leads to connections with readers and writers that can be inspiring and rewarding. You have to submit to get there. It’s worth it!
So there are eight things I’ve learned in eight years. How about you? I’d love to hear from you about what you’ve learned from the submission process!


































A History of God (Karen Armstrong)– Because Christian Fundamentalism is such a strong voice in our current culture wars (as well as the boogeyman of Islamic Fundamentalism), it can be easy to equate Fundamentalism with religious belief itself, and to think that it has always been so. One of the very useful things I got from Karen Armstrong’s survey of 4,000 years of Jewish, Christian & Muslim thought about God is just how rich a variety of viewpoints there have been in all three religions, and what an outlier 20th/21st century Fundamentalism is. Traditional religion turns out to have never been all one thing, and God is an idea that continues to evolve as all three faiths grapple with it.
Answer to Job (Carl Jung)– Jung starts by looking at the Book of Job, and the thundering non-answer God gives Job when questioned about suffering. He then presents the Gospels as God “reconsidering” his answer, with an outpouring of love and self-sacrifice to relive our suffering. However, this is too abrupt a shift from the sometimes judgmental God of the Old Testament, leaving an unintegrated remainder of the capacity for wrath. And thus we get the Book of Revelation… This fascinating examination of the Bible in the context of psychology and mythology opens up whole new ways to understand scripture.
God : A Biography, Christ: A Crisis in the Life of God (Jack Miles)– In many ways, Miles two books follow up on this approach. But Miles instead approaches scripture from the vantage point of literary criticism, examining what kind of character God, as presented in the Bible, is. The first volume covers the troubled evolution of God’s character in the Old Testament, and the second presents the New Testament as a response to the crisis that God’s character comes to, which is radically resolved through incarnation and sacrifice. Again, coming at things from a fresh direction can break open how the story can reach us today, and what it can mean.
Rescuing the Bible from Fundamentalism: A Bishop Rethinks the Meaning of Scripture (John Shelby Spong)– A (now retired) Episcopalian Bishop, Spong made it his life’s work to consider what scripture can mean in the age of science. He points out that a literal understanding as modern Fundamentalism thinks of it is actually a very modern phenomenon, and would have made no sense, for example, to medieval Jewish Rabbis, or classic theologians like St. Augustine. The Bible, he contends, can and should be understood in its original cultural and historical setting, and considered in light of what its essential meaning is in our current setting.
Stalking Elijah (Rodger Kamenetz)– In his earlier book, The Jew in the Lotus, Kamenetz described the journey from his Jewish upbringing to Buddhism. After it came out, the Dalai Lama challenged his to search for practices of mindfullness in his own spiritual tradition. His resulting talks with several contemporary Jewish mystics uncovers a lively and longstanding tradition of mystical contemplation in Judaism. It turns out that being a Jew and a Buddhist aren’t necessarily as different as one might think…
The Coming of the Cosmic Christ (Matthew Fox)– Fox, like Spong, sought to bring new understanding to the church from within, but met with a little more resistance, ultimately resulting in him being expelled as a priest from the Dominican Order of the Catholic Church. One of the key points of the schism was his rejection of the idea of “original sin”, instead focusing on the original blessing of creation, and how a church focused on this can atone for its own sins against women, the unempowered, other faiths, etc. and develop an ecologically-centric, globally-minded and gender-balanced idea of what Christ represents. As Fox says, “The power of native religions to regenerate Christianity and to reconnect the old religion with the prophetic Good News of the Gospels has yet to be tapped.”
The Gospel According to Jesus (Stephen Mitchell)– Starting in the 19th Century and accelerating into the 20th, there has been a lot of scholarship based on archaeology, literary study and the latest discoveries of ancient texts on who the historical Jesus was, and what his original teachings may have been vs. what is later accretion by the Church as it grew. Mitchell wrote this book in an attempt to make that scholarship more available to a lay-audience. He also puts Jesus’ teachings in the context of spiritual traditions from around the world. This book had a profound impact on me when I first read it, unlocking a vitality and compassion in the Gospel message that is all too easily obscured by dogma and history at this point.
The Jesus I Never Knew (Philip Yancey)– Yancey’s book actually does something very similar, but from a diametrically opposite direction. Yancey is a mainstream Evangelical author, but he takes the gospel message down to its fundamentals, and lets every challenging thing that Jesus asked of his followers stand in sharp relief. Again, as with Mitchell, this has a way of cutting through history and dogma, and re-revealing how radical the message of Jesus really was, and remains today.
The Left Hand of God: a Biography of the Holy Spirit (Adolf Holl)– In the fine tradition of Fox, Holl is a Catholic writer and theologian who served as a priest and professor of Theology for almost 20 years until he was dismissed due to conflicts with church authorities. They may dismiss him, but I found his biography of the Holy Spirit to be very arresting. He looks at the third “person” of the traditional Christian Trinity through its affect on a variety of inspired figures throughout history, including Catholic saints, founders of alternate religions, U.S. Pentecostals and Malcom X. This approach leaves the Spirit as it should be, very much alive and active in the world.