Tag Archives: rap

50 Years of Hip Hop Album Review: The Score, Reasonable Doubt

Leave a reply

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, in 2024 the idea bloomed in my that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a several months long hiatus from blogging that year, so I didn’t finish the series. It’s now 2026, whole new medical situation and still proceeding fitfully, but I won’t stop if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

Fugees, The Score (1996)– First of all, I was shocked when I read up on this album to realize that the Fugees only made two albums. They’re definitely an example of a group whose quality and legacy of work exceeds its output! Listening to it, I appreciated how much is coming together here. There’s the sophistication East Cast hip hop production had reached at that time, the feeling for street-level reality of gangster rap, the social and political critique and vision of something better of conscious hip hop, the cinematic flair of the Wu-Tang clan, and the smooth groove of neo-soul. Which is not to say the Fugees, or this album, are in way following or derivative. Instead, they reached out and grasped multiple threads that were in the air, and tied them together in a free and flowing way while making central points of view that had often been overlooked- refugees, women. The album that resulted deserves every bit of the critical and popular acclaim it received at the time and retains to this day.

Jay-Z, Reasonable Doubt (1996)- I’m a big fan of Jay-Z’s later work, he is, in my opinion, a unique talent who created some of the best music of the 00s. So I was looking forward to listening to this, his first album, with curiosity. It feels a little rough to me, in the sense that it takes a few tracks to get going, and is loaded with guests who don’t always seem to support the artist and the album. But when it does hit, the swagger, the vulnerability, the musical and vocal flow, the wordplay all shows that his talent was there from the very first. And in fact, it’s a bit of a peculiar “first”, in the sense that he’d been part of the New York City hip hop scene for several years up to the point at which he decided that he wasn’t going to wait anymore to get signed and promoted, instead founding Roc-A-Fella records and recording and releasing his debut himself. It performed well but not amazingly, but it was his foot in the door, and here he is a whole billionaire music mogul later. I can’t quite get behind the many who consider it his best album (we’ll get there later in this list), but you can definitely feel the drive and hear the promise right from this start.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)
  21. Snoop Doggy Dogg- Doggystyle (1993)/Wu-Tang Clan- Enter the Wu-Tang (36 Chambers) (1993)
  22. Nas- Illmatic (1994)/Scarface- The Diary (1994)
  23. The Notorious B.I.G.- Ready to Die (1994)/2Pac- Me Against the World (1995)
  24. Bone Thugs-n-Narmony–E. Eternal 1999 (1995)/GZA-Liquid Swords (1995)
  25. Mobb Deep- The Infamous (1995)/Raekwon- Only Built 4 Cuban Linx (1995)
  26. 2Pac- All Eyez on Me (1996)/DJ Shadow- Endtroducing… (1996)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: All Eyez on Me, Endtroducing…

1 Reply

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, in 2024 the idea bloomed in my that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a several months long hiatus from blogging that year, so I didn’t finish the series. It’s now 2026, whole new medical situation and still proceeding fitfully, but I won’t stop if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

2Pac, All Eyez on Me (1996)– I won’t lie, my first reaction on seeing this was a double album with over a two-hour run time was, “There can’t possibly be any call for that.” Between that and my impression from a few reviews ago that Me Against the World was a little scattered, I definitely came in skeptical. The energy, flow and rich production of the first track immediately began to disabuse me of that notion, and it built from there track by track. When I read up on the album’s production, the factors that make it so focused and powerful became apparent- unlike his previous albums, Tupac executive produced this himself, on individual tracks he pulled in an all star team of producers, and West Coast hip hop powerhouse DJ Quik mixed the final product. On top of that, Death Row records bailed Tupac out of prison specifically to make it, and he poured every inch of his talent and feelings into it as if it were his last chance to say something. Which in a way it was, as he was killed seven months after it came out. It dives deep into gangster themes and personas, and is punctuated throughout by his nihilistic laugh and a dark angry edge, but it never feels caricatured, and the squelchy synth-laden production is peerless. All in all it adds up to a strong and unsettling de facto last will and testament.

DJ Shadow, Endtroducing (1996)- This edition may have the most mismatched album pairing we’ve done yet. Then again, there may be a connection, as these two albums represent two entirely different school of hip hop, both of which were tremendously influential on the rest of the decade. The Entroducing version hearkens back to the early days of vinyl mixmasters, and reaches out to the electronic music genres of the nineties. DJ Shadow isn’t necessarily my favorite from the Bay Area turntabulism scene of that era, that would probably be Mixmaster Mike, who was the de-facto DJ for the Beastie Boys for several albums, or Lyrics Born, who was in one of my top album lists as recently as 2022 (and who, by the way, appears on the cover of this album, flipping through the vinyl). That being said, there is no denying his excellence, or this album’s. He produced it on next to nothing and with almost everything- only using a turntable, MPC sampler, and multi-track recorder, but composing it entirely out of dozens of vinyl-record samples from a dizzying array of genres. And if you’ve listened to entire subgenres of hip hop and electronic music, and/or attended certain formats of DJ night over the thirty (!) years since this came out, you’ve heard the ongoing influence of what he does here.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)
  21. Snoop Doggy Dogg- Doggystyle (1993)/Wu-Tang Clan- Enter the Wu-Tang (36 Chambers) (1993)
  22. Nas- Illmatic (1994)/Scarface- The Diary (1994)
  23. The Notorious B.I.G.- Ready to Die (1994)/2Pac- Me Against the World (1995)
  24. Bone Thugs-n-Narmony–E. Eternal 1999 (1995)/GZA-Liquid Swords (1995)
  25. Mobb Deep- The Infamous (1995)/Raekwon- Only Built 4 Cuban Linx (1995)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: The Infamous, Only Built 4 Cuban Linx

2 Replies

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, in 2024 the idea bloomed in my that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a several months long hiatus from blogging that year, so I didn’t finish the series. It’s now 2026 and still proceeding fitfully, but I won’t stop if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

Mobb Deep, The Infamous (1995)– I’d definitely heard the name of this Queens duo before, but wasn’t at all familiar with the album name. Which apparently is a significant hole in my hip hop education, because it earned critical acclaim at the time, and is still widely regarded today as one of the cornerstones of the nineties East Coast hip hop scene along with Enter the Wu-Tang, Illmatic, and Ready to Die. I can certainly hear the things it’s regarded for- dark spare production, gritty beats, and a stripped-down no-nonsense flow and lyrical narration. Having read up on the production, I can also really appreciate how it came together- they knew the guidance they were getting from producers wasn’t right for the album, so they ended up producing it themselves (with some innovative sound engineering support for friend/supporter A Tribe Called Quest’s Q-Tip). It’s powerful musically and lyrically, I can hear where it fits into the East Coast sound of the time, but somehow it’s not entirely up my alley. However, even if it doesn’t immediately end up on my personal “best of the best” list, the acclaim isn’t undeserved!

Raekwon, Only Built 4 Cuban Linx (1995)- I think one of the problems The Infamous may have run into is that, as of this very review, we are halfway through the list! So, anything I’m listening to now is being compared to 50 or so of the greatest hip hop albums of all time. That being said, Raekwon is making it through the crowd! Maybe it’s because of the hot streak RZA and his basement studio were on at the time- this was being recorded at the same time as GZA’s Liquid Swords from our previous review posting, and shortly after RZA had put out another two Wu-Tang Clan member solo albums. Maybe it’s the synergy Raekwon and Ghostface Killah have here (it’s not far from being a collaboration between them). Maybe it’s the mix of inspirations- Isaac Hayes’s gritty street tales from the 70s, Five Percenter beliefs, John Woo and Sergio Leone gangster films. Maybe I’m just a sucker for the greater Wu-Tangverse. Whatever it is, this album, which was very influential on subsequent productions and remains well-regarded today, charmed the socks off of me!

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)
  21. Snoop Doggy Dogg- Doggystyle (1993)/Wu-Tang Clan- Enter the Wu-Tang (36 Chambers) (1993)
  22. Nas- Illmatic (1994)/Scarface- The Diary (1994)
  23. The Notorious B.I.G.- Ready to Die (1994)/2Pac- Me Against the World (1995)
  24. Bone Thugs-n-Narmony–E. Eternal 1999 (1995)/GZA-Liquid Swords (1995)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: E. 1999 Eternal, Liquid Swords

3 Replies

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, in 2024 the idea bloomed in my that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a several months long hiatus from blogging that year, so I didn’t finish the series. It’s now 2026 and still proceeding fitfully, but I won’t stop if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

Bone Thugs-n-Narmony, E. Eternal 1999 (1995)– Bone-Thugs-n-Harmony, formed in Cleveland in 1991, are maybe the first Midwestern hip hop entry on our list. I wasn’t familiar with them beyond “The Crossroads” (more on that below), but the name turns out to tell you a lot- they have a kind of perfect fusion of 90s gangster rap and 90s boy band harmonies, courtesy of the rapid flow “chopper” style of rapping. And although they’re Midwestern, their flavor of gangster rap is heavily redolent of West Coast hip hop, for good reason- they went on a months-long cross country quest to audition with Eazy-E (ironically finally catching up with him in Cleveland after months of searching L.A.) that resulted in their eventual signing with Ruthless Records, and work with Eazy-E and L.A. producer DJ U-Neek. This is their second album with Ruthless, and was their major breakthrough, eventually selling 4 million copies. Post-release they re-worked a song on the album, “The Crossroads” to serve as a tribute to Eazy-E, who had died shortly before the album came out, and their memorial to those who have passed was the first rap single to reach #2 nationwide. My impression after a good two listens is that, between the unique vocal style, the exquisite song production by DJ U-Neek, and the variety of ways they bring depth to the standard gangster rap themes, this album truly deserves its place in the list.

GZA, Liquid Swords (1995)- It’s a great thing to have a plan, and aiming high certainly gets you better results on average than not aiming anywhere. But the way some plans come together is a mystery of synergy, timing, and magic that’s beyond the everyday. Wu-Tang Clan founder RZA’s vision had always been that the group would serve as a launching pad for the individual members as well, with the group’s success expanding in all directions. Having already made an album for the ages with 1993’s Enter the Wu-Tang (36 Chambers), RZA headed back to his basement studio and wasted no time putting out successful albums for Method Man and Ol’ Dirty Bastard. He followed that up by simultaneously working on Raekwon’s album Only Built 4 Cuban Linx… (which we’ll get to shortly in this series) and this album for co-founding member GZA/The Genius. GZA was considered Wu-Tang’s spiritual core and its most skilled lyricist, and that is in view here with his dense storytelling that looks for the reasons beneath (and above) the street scenes it represents. (For extra story-telling credit, GZA even directed the four videos for the album.) Match that with RZA’s darkly textured production and gritty beats, and the spell this album weaves is still powerful thirty years later.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)
  21. Snoop Doggy Dogg- Doggystyle (1993)/Wu-Tang Clan- Enter the Wu-Tang (36 Chambers) (1993)
  22. Nas- Illmatic (1994)/Scarface- The Diary (1994)
  23. The Notorious B.I.G.- Ready to Die (1994)/2Pac- Me Against the World (1995)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: Ready to Die, Me Against the World

4 Replies

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, in 2024 the idea bloomed in my that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a several months long hiatus from blogging that year, so I didn’t finish the series. It’s now 2026 and still proceeding fitfully, but I won’t stop if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

The Notorious B.I.G., Ready to Die (1994)– Remember a few posts back when we had Doggystyle paired with Enter the Wu-Tang and it was like an apotheosis of West Coast and East Coast hip hop? Well this edition is a redux of that, only darker, marking where the musical rivalry turned deadly. Or at least it’s hard not to think of it that way. But, listening to this debut album from The Notorious B.I.G. now, I’m most struck by how masterful it is. Musically sophisticated, full of dynamic lyrical wit, equal parts ambition, raunch, fun, and deadly serious. And so damn catchy! Along the way, there’s an honest to goodness album structure that follows the stand-in character for the artist from birth to youthful hustle to success to depression and considering (maybe even committing?) suicide. It’s weird how perfectly together it feels when one learns that it was recorded partially under one label in 1993, shelved when producer Sean “Puffy” Combs was fired from that label, and then taken up anew a year later when Combs was starting Bad Boy records. And even more remarkable when you consider that Biggie was 22 when it came out and Puffy was 24, and they’d started doing work on it two years before that. Some of this no doubt comes from the general level of sophistication the milieu of East Coast hip hop had achieved at the time, and from hip hop’s own 15 years depth of recording history (which the both through samples and references the album makes frequent reference to). But surely the majority of the artistic ambition here comes from comes from Biggie himself. He said in interviews that the “ready to die” wasn’t about seeking death itself (though you have to wonder, with his subsequent end, and the album’s thematic struggle with depression), but rather about putting it all in to the music and going all out in pursuit of the vision. He does that here.

2Pac, Me Against the World (1995)- It seems relevant to mention here that Biggie and Tupac started out as friends. When they first met in 1993, they bonded on mutual creative respect, and visited each other (and even played together) on both coasts whenever one or the other was in town. That was what was going on before a falling out and the artistic rivalries of East and West Coast scenes, the business rivalry of Death Row and Bad Boy, and affiliated gang rivalries made it all take a turn. And this album, in fact, has a lot in common with Biggie’s- it’s informed by respect for hip hop’s history to that point, heavily autobiographical, and full of weighty struggles with issues of life, death, and creative aspiration struggling against the damage from a troubled life. 2Pac in fact intended the album to specifically tackle all of this, feeling in a way it was his last testament before an impending jail sentence. I would say for me personally that it doesn’t seem nearly as coherent as an album or as musically complex and compelling as Ready to Die. When it succeeds, it’s on the strength of 2Pac’s presence and a driving forcefulness more than mix or production. And, like the artist himself, it’s riven by genuinely visionary aspiration versus the violence of where it’s coming from. But the strongest tracks here are as strong as anything anyone in that era was putting out.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)
  21. Snoop Doggy Dogg- Doggystyle (1993)/Wu-Tang Clan- Enter the Wu-Tang (36 Chambers) (1993)
  22. Nas- Illmatic (1994)/Scarface- The Diary (1994)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: Illmatic, The Diary

5 Replies
Version 1.0.0

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, the idea bloomed in my mind last year that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a three+ month hiatus from blogging last year, so I didn’t finish the series. But I’m back at it, and I don’t mind extending into 2025 if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

Nas, Illmatic (1994)– I have to admit I really knew next to nothing about either Nas or this album besides that it was considered a 90s classic, and the artist had an 00s beef with Jay-Z. Turns out there is a lot to know! The son of a jazz musician, Nas came up in the Long Island hip-hop scene after his family moved from Queens, and along the way got the attention of Rakim, Kool G Rap, and 3rd Bass. Serch of 3rd Bass became his manager and got him the record deal that led to this debut album. And he puts it all into this debut- songs he had been writing since he was 16, vivid recollections of his youth in the Queensbridge housing project, a reverence for and references to hip hop’s entire musical history to this point, and a really engaging lyrical delivery. I can’t say I picked up on all of this while listening, but I am subsequently informed that his lyrical style here included layered rhythms, multisyllabic rhymes, internal half rhymes, assonance, and enjambment. Take that, poets! All in all, it felt catchy, musical, and weighty and real while still being a fun listen. The album was apparently released to a lot of hype that its sales didn’t quite live up to, but great critical acclaim. Sales caught up long term, and the critical reputation and influence on the genre has remained. Upon finally hearing it, I’m down with that!

Scarface, The Diary (1994)- As I started listening, before catching up on reading on it, I thought for sure this was a West Coast album. It has the synthy squlech, funk samples, mix of humorous and horrific situations, and laid back pacing that reminded me of the West Coast scene, and the vocal flow carried a kind of heaviness that put me in mind of Tupac. I still stand by those impressions, but it turns out Scarface is a Houston rapper, and one of the members of the Geto Boys on Grip It! On That Other Level. Which makes more sense to me, given how much that album reminded me in parts of N.W.A.. On Scarface’s part, the album is an explicit statement of being one of the founders of gangsta rap, disputing SoCal’s claim on the throne. Well, regardless of where it comes from, it’s grooving, slightly sinister, tells an actual story, and is delivered with earned authority.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)
  21. Snoop Doggy Dogg- Doggystyle (1993)/Wu-Tang Clan- Enter the Wu-Tang (36 Chambers) (1993)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: Doggystyle, Enter the Wu-Tang (36 Chambers)

6 Replies
Version 1.0.0

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, the idea bloomed in my mind last year that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a three+ month hiatus from blogging last year, so I didn’t finish the series. But I’m back at it, and I don’t mind extending into 2025 if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

Snoop Doggy Dogg, Doggystyle (1993)– The two albums in this post are so well-paired, being the respective apotheoses of West Coast and East Coast hip hop just as that was becoming a vital distinction. Some might make the case, reasonably, that The Chronic is the signal album of the West Coast scene. But I would say this album is really a continuation of The Chronic, where Snoop had originally been introduced, and an even fiercer distillation of producer Dr. Dre’s G-funk sound. It also broke through to mass culture, both in musical influence and controversy, at an even higher level than its predecessor. In terms of production, performance, and structure, the album is well nigh flawless- connecting skits that tell vivid stories, sharp and surprising lyrical turns, Snoop’s distinctive lackadaisical flow, metallic beats, laid-back funky grooves, and distinctive squelchy synthesizers, cleverly deployed samples and interpolations. There isn’t a second of it that isn’t a great listen. And it is, just as often, appalling. The general critical question of gangster rap might be summarized as: Is it reflecting and even criticizing a certain urban reality, or is it glorifying and amplifying the worst parts of that reality? That question becomes super-salient with this album because the sexual braggadocio, the misogyny, drug culture, and gang violence are all turned up to the max. Sometimes with a humor that feels tongue in cheek, sometimes with a genuine sense of menace, but in a way that never leaves one comfortable. Which is, in a way, another mark of a great album.

Wu-Tang Clan, Enter the Wu-Tang (36 Chambers) (1993)- From the West to the East… There are certainly those who would make the case for Jay-Z, Nas, or the Notorious B.I.G. having made the quintessential East Coast hip hop album. Not a ridiculous case, and all of them will appear later in our list. But this, much like The Chronic/Doggystle for the West, is the album that established the 90s renaissance of East Coast hip hop artistically and commercially, and served as an inspiration for those to come. Coming from the same Long Island neighborhood, cousins RZA and GZA had seen their childhood trio with another cousin, the future Ol’ Dirty Bastard, fall through. They’d then been signed separately, but had their solo careers similarly falter. This soured them on the industry, but not on their music, and they became determined to do their own project with other rising stars from their neighborhood. Mix together nine members with distinctive voices in both senses of the word, alternating wacky humor and menace, a crunchy sound that is in part an artifact of their limited budget, and a melange of influences that include classic soul samples, Five Percent Nation philosophy, kung fu movies, and comics, and you get a debut album that is, against the odds, a masterpiece. It was a sensation at the time, remains influential, and, most tellingly, still sounds like a fresh and amazing surprise today.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)
  20. The Pharcyde- Bizarre Ride II the Pharcyde (1992)/A Tribe Called Quest- Midnight Marauders (1993)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: Bizarre Ride II the Pharcyde, Midnight Marauders

7 Replies
Version 1.0.0

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, the idea bloomed in my mind last year that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a three+ month hiatus from blogging last year, so I didn’t finish the series. But I’m back at it, and I don’t mind extending into 2025 if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

The Pharcyde, Bizarre Ride II the Pharcyde (1992)– This album is a delight from start to finish! It lives up to its title, producing the audio equivalent of a spin through a bizarre fun house, with jazzy grooves, psychedelic effects, madcap vocal interludes, and just the right hint of disquiet. While it often comes across as cutting-up, there’s plenty of serious material on the way, critiquing Black stereotypes, police stops, and the effects of drugs on the community. Part of what makes the whole thing work is the chemistry- it was the product of four L.A.-area school friends, and has the feel of friends messing around. Wickedly quick-witted, musically literate friends! It was a moderate commercial success upon release, and the critics liked it pretty well, but everyone was a little befuddled by how far out of the mainstream of Southern California hip hop it was at the time. In retrospect, the album is seen as one of the foundations of 90s alternative hip hop, and influenced artists like J Dilla and Kanye West. And it remains a great listen today!

A Tribe Called Quest, Midnight Marauders (1993)- Speaking of alternative hip hop, here comes an album that many consider to be both a peak of the golden era of that sound, and an inspiration to future versions of it. The group was aware of the pressure to top the critical and popular acclaim of their previous album, The Low End Theory, and their reaction was to relax into it, taking two years and working in a makeshift studio in group member Phife Dawg’s grandmother’s basement. In the music that resulted, they dive even further into using jazz, funk, and soul samples from the 70s, and harder, grittier beats. Weirdly, the sound is more gritty, but also more polished at the same time, and even gets into concept album territory with a framing introduction and intervals from a semi-robotic, but very soulful and socially conscious telephone operator. Extra credit if you go look at the front and back cover of the album, which features a 71-member who’s who of hip hop at the time. Kind of fitting, as the album is sometimes cited as the last common favorite of mainstream, alternative, East Coast and West Coast hip hop scenes.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)
  19. Dr. Dre- The Chronic (1992)/Pete Rock and CL Smooth- Mecca and the Soul Brother (1992)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: The Chronic, Mecca and the Soul Brother

8 Replies
Version 1.0.0

2023 was the 50th anniversary of hip hop, and in honor of this anniversary, the idea bloomed in my mind last year that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years. Due to some medical situations, I took a three+ month hiatus from blogging last year, so I didn’t finish the series. But I’m back at it, and I don’t mind extending into 2025 if you don’t!

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review covers 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

And with that, let’s embark on our next installment!

Dr. Dre, The Chronic (1992)– For his debut solo album, N.W.A. co-founder and producer extraordinaire Dr. Dre pulled out all the stops. There is no denying this album’s quality and influence- it almost single-handedly introduced the G-funk musical style of minimal (and retro funk) sampling, laid back grooves, live bass and guitar, and squelchy synths that would dominate a good chunk of 90s hip hop. It commercially established Death Row Records when it went triple platinum, and launched the careers of Snoop Dogg, Nate Dogg, and Warren G. And it remains a consistent pick among both artists and critics as one of the best (and best produced) hip hop albums ever. There’s also no denying that the album is thick with misogyny and glorification of violence. It’s true that this isn’t the only mode- there’s also a lot of humor, and post-L.A. riots tracks that rival anything Public Enemy did in terms of sharp and furious social/political critique. But it can still be hard to listen to without getting a little morally queasy. After all the hue and cry though, and despite my qualms, as an album it’s masterful. It has a narrative frame holding the whole thing together, musically it grooves, swings, and surprises, it’s alternately menacing and hilarious, and there isn’t a track that sounds out of place or lets you down.

Pete Rock & CL Smooth, Mecca and the Soul Brother (1992)- Whatever I listened to after The Chronic was going to have a tough act to follow, and I wasn’t familiar with this album at all beyond the track “They Reminisce Over You (T.R.O.Y.)”. But, with the quiet spiritual incantation that opens the first track, and the hard metallic beats and jazz samples it slides into from there, I was immediately in. The debut album from New York duo Pete Rock and CL Smooth is definitely working in a recognizable groove- sophisticated East Coast conscious hip hop circa early 90s- and perhaps doesn’t do a lot new or different with it. But it’s a favorite groove of mine! And, if one could often wonder if G-funk is furious at, or in love with, the problems of the neighborhoods it rose from, this album is unambiguous about (as one track puts it) escaping from “The Ghetto of the Mind”.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)
  18. A Tribe Called Quest- The Low End Theory (1991)/Ice Cube- Death Certificate (1991)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!

50 Years of Hip Hop Album Review: The Low End Theory, Death Certificate

9 Replies

Last year was the 50th anniversary of hip hop, and in honor of this anniversary, the idea bloomed in my mind that I should review the top 50 albums of that 50 years. As I crunched together a list from various sources, 50 proved to be too restrictive- many of the classics were getting squeezed out. So, to make a little more room, I opted for 100 albums, two for each of hip hop’s 50 years.

For its formative years, hip hop was a live entertainment form, with the first recorded singles not emerging until 1979, and the first albums in 1980. So my review will cover 1980-2023, with 50 posts of two albums each. The only ground rule I made for myself (besides looking for 2×50, aka 100, albums that were widely well-regarded) was that I had to have at least one from each year. As you’ll see by and by, some years get multiple albums, but since we have 100 spots for 43 years, it tends to all work out.

*June 2024 addendum: Due to some medical situations, I took a three+ month hiatus from blogging. It’s unlikely I’ll finish this series this year. But I’m back at it, and I won’t mind extending into 2025 if you don’t!*

And with that, let’s embark on our next installment!

A Tribe Called Quest, The Low End Theory (1991)– They weren’t the first to do this, in fact we’ve had several examples so far in this list, but this album is a whole new level of jazz sample-fueled hip hop. More than that, it consciously seeks to link the genre to the larger history of Afrocentrism and Black music in America, and to use that history to critique the ways the contemporary industry isn’t measuring up to the social and political legacy of the music. All of that might be a bit heavy, except it’s delivered with such an innovative music mix, and poetic and quirky flow and rhyme. In other words, this album overflows with the energy and positive power of the conscious hip hop of the nineties. Formed by a circle of high school friends from Queens, A Tribe Called Quest were co-founders of the Native Tongues Collective with Jungle Brothers, De La Soul, Queen Latifah, and Monie Love. They went into this, their second album, with group MC Phife Dawg’s recent diagnosis of diabetes leaving him and fellow member/rapper/producer Q-Tip determined to make something beyond what they’d previously done, which led them to focus on the “low end” of the status of Black men and the bass end of music. The results speak for themselves, with an album that was their commercial breakthrough, a long term critical favorite, and an ongoing influence on the next generation of hip hop artists and producers. As for me, this genre of hip hop was my jam in the nineties. Listening to it now, there’s certainly an element of familiarity and nostalgia, but the energy, innovation, and downright fun is as fresh as ever.

Ice Cube, Death Certificate (1991)- It’s interesting that these two albums ended up together in post order, because this might very well be the yang to the yin of the prior selection. In all kinds of ways- the anger in the flow, the hard and dense mix, the lyrics sketching out the darkest sides of street life. But as is true of all yins and yangs, you can also see the inextricable link between the two. Both are founded on response to the frustration of the Black American experience, both are musically innovative while hearkening back to cultural heritage (jazz for A Tribe Called Quest, 70s funk and soul for Ice Cube), and both deliver their message with humor and artistic ambition. In Death Certificate‘s case, the very structure shows the intent to aim for statement, with a “death” side stating the problems of contemporary life, followed by a “life” side describing his vision of where things need to go, and intros/outros and sketch sections holding the whole thing together. So, despite personifying two nineties sub-genres that seem diametrically opposed musically and thematically- alternative/conscious hip hop and gangsta/g-funk hip hop- the aims and the means of these two albums are not so different. This is not to excuse the racialism, homophobia, and misogyny of Ice Cube’s lyrics so often on display here, that all deserves criticism. But I can see how much more crafted and ambitious this is than his previous album, AmeriKKKa’s Most Wanted, how much of the West Coast nineties sound it anticipates, and understand how it ended up on so many “best” lists.

If you’re curious about the sources I used to compile my list, you can check them out here:

And if you want to catch up on the previous installments, here they are…

  1. Sugarhill Gang- Sugarhill Gang (1980)/Kurtis Blow- Kurtis Blow (1980)
  2. Sugarhill Gang- 8th Wonder (1981)/Grandmaster Flash- The Message (1982)
  3. Wild Style Original Soundtrack (1983)/Fat Boys- Fat Boys (1984)
  4. Kurtis Blow- Ego Trip (1984)/Run-D.M.C.- Run-D.M.C. (1984)
  5. Whodini- Escape (1985)/The Treacherous Three- The Treacherous Three (1985)
  6. Run-D.M.C.- King of Rock (1985)/LL Cool J- Radio (1985)
  7. Beastie Boys- Licensed to Ill (1986)/Run-D.M.C.- Raising Hell (1986)
  8. Boogie Down Productions- Criminal Minded (1987)/Eric B. & Rakim- Paid in Full (1987)
  9. LL Cool J- Bigger and Deffer (1987)/Big Daddy Kane- Long Live the Kane (1988)
  10. Boogie Down Productions- By All Means Necessary (1988)/EPMD- Strictly Business (1988)
  11. Eric B. & Rakim- Follow the Leader (1988)/Jungle Brothers- Straight Out the Jungle (1988)
  12. N.W.A- Straight Outta Compton (1988)/Public Enemy- It Takes a Nation of Millions to Hold us Back (1988)
  13. Slick Rick- The Great Adventures of Slick Rick (1988)/Ultramagnetic MCs- Critical Beatdown (1988)
  14. Beastie Boys- Paul’s Boutique (1989)/Big Daddy Kane- It’s a Big Daddy Thing (1989)
  15. De La Soul- 3 Feet High and Rising (1989)/EPMD- Unfinished Business (1989)
  16. Geto Boys- Grip It! On That Other Level (1989)/Kool G Rap & DJ Polo- Road To The Riches (1989)
  17. The D.O.C.- No One Can Do It Better (1989)/Ice Cube- AmeriKKKa’s Most Wanted (1990)

Finally, if you’d like a playlist for the entire list, you can find that here. Listen to it sequentially for the historical development of the genre, or play on shuffle for maximum historical scramble!