Forty Poems in 40 days-sputtered out at 35.

Well, it was a noble experiement. And if moving and the busiest work week I’ve had in like, ever at this job, and an out of town trip all conspired to zap me short of the finish line, I still learned something. Namely that, despite what I have long believed, one does not have to passively wait for the Muse to arrive to do poetry. It can be practiced on demand. Maybe not always prettily, but it is possible. Good news for stuck poets everywhere who want the kick-start! Below are entries 21-35. You can find 1-10 and 11-20 in previous entries.

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Two shakes of a lamb’s tail
Urban Dictionary:
Where did the phrase come from?
Answer Girl:
No one seems to know.
Her dark matter:
One who has seen, sees readily.
The Maven’s Word of the Day:
Visualize those little tails
constantly thrashing
back and forth.

Book of Love
Who, they ask
(understand, despite
my coming disparagement
of it,
that it remains
a damn fine question)
who,
who wrote the book of love.
Who wrote it?
We ought to ask:
Has anybody ever read
the motherfucker?
The world has
by and large
seems to have
left it on the shelf.
But you and I,
You and I…

Meeting Abbey’s Mom
Curtain pulled to one side
staring out morning window
with the cat.
Hand on doorknob
deep breath before opening
warm flannel
deep bosom hug.
Amused smile
sideways glances
holding her hand.
Hearing of
embarrassing childhood
stories
now warming
to possibilities.

Do it now!
Turn down the dog
Switch off the cat
Floss your pants
Fluff the driveway
Put on your groceries
Unzip the TV
Slip on your car
Make the garden
Water your bed
Fold the eggs
Whatever word is given
Act don’t think
Do it now

Concrete Poem
one square
gray
with hints
of silver and white
smooth plane
marred by chunks
scratches
and lumps of age
spotted with pads
of squashed black
sticky gum
white splatter
left by
passing bird
and green-yellow scrub
growing at the margins

Ergonome’s 12 Golden Rules for safe keyboard use #11 & 12 work well for life in general too
When you travel
from Home,
don’t resist
natural movement
When you’re not traveling,
Rest at Home

Church Street Café
Back when it was Muddy Waters
this place
used to be
a train-wreck,
each pitted, scarred table
a coach carrying
a choir of whores
who gargled
waterfalls of scorn,
their filth lodged
in every crevice
of the cracked,
blackened brick wall.
When it was renamed
a gong must have struck
in some eternal realm
sparking a baptism,
the whole place born again
as a respectable haunt
of laptop computers
and advertising execs
talking independent film.

Morning commute, 28 Fort Mason
Bank of dirty brown-gray cloud behind
Stonestown pull of the magnet from the
journal clasp on the pen ivy-choked parking
lot fence work crew shoveling piles of tar
into hole in the road hedges look like an
80s rapper’s haircut San Francisco Masonic
Center glares through lack of windows
Taraval Vietnamese place orange green
red splash of color on the corner Sunset
lettered avenues a sea of pastel houses
squat peach Jiffy Lube guards Noriega’s
slope down to the sea growing crowd of
elderly Chinese at the front of the bus
broken by lone Russian newspaper reader
“wet paint” sign by the barrel-chested
green trash can on Judah chipped paint on
a forlorn tan house between Iriving and
Lincoln thick green trees on either side of
the fast route through the park clear smell
of eucalyptus through the window blue-suited
crews watering & pruning he rose garden at
Fulton the girl on at Balboa long straight
blonde hair mass exodus at Geary as always
California connection to Chinatown finishes
off the stragglers white arrows point toward
narrow lanes green walls climb the side
toward the tunnel flickering halogen light in
concrete tube on the other side tall trees in
the Presidio like matchsticks white clock and
red lights on the toll booth steel gray bay and
red thrust of bridge up into foggy
disappearance ivy ripples in the wind at the
turnaround Coast Guard ship clipping white
trail through the Bay Palace dome with white
city dully gleaming in background light is
transparent here at the stop.

ST:TMP
The first twenty minutes
always makes me cry
With the medal cast
on the burning sands
The Golden Gate
And the shuttle
with the admiral
circling the ship
like a lover
approaching the beloved
with hushed reverence

Changing Viewpoints
We are flat, and
it moves around us.
We are round, and
it moves around us.
We move around it,
in epicycles.
We move around it,
in ellipses.
We move around it,
in ellipses, determined by
the force of gravity.
We, and it, and millions of others
are all gathered together.
Billions of others, all gathered
together in a giant pinwheel.
Our pinwheel just one of billions.
Just one of billions
all expanding outward
from a single point.
From a single point,
that’s a quantum fluctuation.
Quantum fluctuations
are influenced by observers.
It moves around us?

This seat is mine motherfucker!
Surge of adrenaline
and leap to the feet
from the crappy side-facing seat
as the bus slams to a stop.
Launch down the aisle
icy stare-down of the old man
bounding my way,
proceed
with no regard
for little old ladies
boarding in the back.
Slide in to the last forward-facing seat
for the long ride to come,
panic finally subsiding.

(untitled)
from pointing straight up
to shriveled
can happen in six seconds flat
when she pulls a gun

Ode to Sinatra and Sean Combs in Hell
I see k.d. lang
on TV screen
singing with Tony Bennet
and I like her less.
What’s she doing
with that thug?
Then I realize I’m confusing
Tony Bennet
with Dean Martin
and I like them both again.
And really
I only feel that way
about Dean Martin
because he palled around with
Frank Sinatra.
So maybe
he’s innocent too.
Regardless,
my contempt for P. Puff-diddly Comb
and his whole genocidal crew
remains undimmed.
I guess I just don’t like gangsters.

Every day in recovery is like this
The bee on my shoulder
buzzes.
It is his nature,
he means no particular harm.
I move to swat.
It is instinct,
I contemplate it without malice.
Pausing,
I use the umbrella strap
to brush him off.
A new day has dawned.

Singing the lease
walking from room to room
checking the fixtures
your ghost was on me
like a rabid Pomeranian

Forty Poems in Forty Days- part II

Half way through my self-imposed challenge of writing 40 poems in 40 days, and I’m still in it. As proof, here are the poems from days 11-20. Fair warning: among the prompts in this ten day period were writing something repulsive and/or not politically correct, and writing an over the top erotic poem. If you read further, having been warned, I am not responsible for what happens to you…

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Day 11 called for no punctuation
The thing is (comma)
it’s not hard for me to do (period)
It’s easy (exclamation point)
I often leave punctuation out
in my poems (semi-colon)
commas (comma)
semicolons (comma)
even periods
or question marks (period)
Doesn’t everyone (question mark)

Bacon!
It’s a
wonderment
of
red,
orange
and
sienna
proteins,
with
twisty white
fatty
pathways
leading
to heaven.

It all makes sense now…
All the mother wounds
God-shaped holes
shifty obsessions
and cat love.
Even the Disappearing Mine
when I was ten
and the meaning
of the Green Flash incident.

I understand it all,
the secret.
The key lies in realizing
that your whole life
is actually—

Ah, but I don’t need
to tell you.
You can see for yourself
just do what I did:

In Microsoft Excel 2009
go to the menu, click on “tools”
choose “data analytics” from the dropdown
install the “analyze my whole damn life” toolpack
then use the help menu
to write the “understand everything” equation.

Minor Hues
Everybody knows
about ochre,
umber
and burnt sienna.
But who respects beaver?
What praise draws timberwolf?
Wherefore not into glory goes cornflower?
Is there a palette
that will honor
these marginal shades
before Crayola
shuffles off
their mortal coil?

The Ideal Man
You can keep
your
Apollo,
Adonis
and young Ganymede
buggered by Jupiter.
Give me
William Shatner,
circa 1967,
yellow-green tunic
torn at the shoulder,
wiping blood
off of his knuckle-busted
Elvis sneer
before teaching
a quarrelsome Klingon
the facts of life.

(untitled haiku)
Poop? Poop! Coprolites?
Maybe in a few million
Shit hardened years

Summer of Hate
I hear it was
really something
that first summer of 1967.
Peace and Flowers
positive vibrations
all that happy hippy bullshit.
But within a few years
the hippies switched
from LSD to speed
started killing cats for food
and the streets
filled with real shit.
Ever since then
it’s been
a Summer of Hate.

A Summer of
yellow-eyed
disease infected homeless
in crap-caked clothes.

A summer of
sneering teen gutter punks
from the burbs
playing homeless for the weekend
spitting on passersby
who don’t give them change.

A Summer of
abscess ridden junkies
leaving their fluids in the gutter
and port-a-potties overflowing
with the orange caps
of their syringes

A Summer of
Those who never made it out
of the Sixties
wandering emaciated
food and dried slobber-ridden
birds nest beards shaking
as they rant to thin air.

A Summer of
faux nostalgia head shops
yuppie ice cream parlors
and comodified counterculture
drawing in
fat, complacent onlookers.

Summer in and Summer out
for almost 40 years now
an Endless Summer
of Haight.

Autoerotic asphyxiation
Every time I think of you
I pull the plastic tubing
a little tighter
swell another half inch
and reach for the lube

How I Know I’m In Love
Sometimes it comes
In little things transformed:
Your earplugs on the dresser
Coated with dried wax
Beautiful to me

Captain! Oh Conservative captain!
(with all due apologies to Walt Whitman and Abe Lincoln)

This twentieth day of May
Two Thousand and Nine
you left us, dear Rush.
Call me no more, you said
the titular head
of the party Republican.
“I never sought it.
I give it back.”
Oh sweet selfless prince!
At the thought of politics
shorn of your presence
I weep, unashamed, like a woman,
and tear my shirt in grief.
“Mention me not,”
you told MSNBC,
“for an entire month!”
An entire month!
Scarcely can I imagine one day
without you by my side
to stem the Liberal tide.
The dark days ahead
seem to me as grim
as to you must seem
the thought of life
without oxycontin.

Project Dylan: Bringing it All Back Home (1965)

After a shameful break, I’m back with “Project Dylan”, my sequential overview of my favorite Bob Dylan albums. So far I’ve covered Bob Dylan, The Freewheelin’ Bob Dylan, The Times They Are A’ Changin, and Another Side of Bob Dylan. Now on to Bringing It All Back Home

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In standard Dylan exegesis, Bringing It All Back Home is where Dylan breaks with the folkie/protest singer identity of his earlier work. Not only is he already turning electric here, well before he gets to “Like a Rolling Stone”, but his artistic focus turns to an inner symbolic world where his vision reaches the surreal new levels that mark him as the poet of his generation. I suppose that’s all true as far as it goes, but what I hear throughout this album is seething protest. The protest is now bigger, and more fundamental, than civil rights or the anti-war movement. It’s nothing less than a repudiation of the way things are, the entire way society is organized.

“Subterranean Homesick Blues” kicks in to it with full tilt electrified blues, rock and roll by any other name, that in just over two minutes flat of rapid-fire verse paints a picture of a society that one can only hide out from in basements as it seeks to put you on the day shift. And what else is it but the whole system of expectations itself that he doesn’t want to labor for anymore in “Maggie’s Farm”: Well, I try my best/ To be just like I am/ But everybody wants you/ To be just like them/ They sing while you slave and I just get bored/ I ain’t gonna work on Maggie’s farm no more? The pervasive rebellion reaches a high point on “Outlaw Blues”, an echoing steely blues song that warns off all comers: Don’t ask me nothin’ about nothin’/ I just might tell you the truth.

The whole argument comes to a conclusion in the masterful incisive poetic stream of consciousness that is “It’s Alright Ma’ (I’m Only Bleeding)”. I won’t go into its rich detail here except to note that the poet, even while admitting: If my thought-dreams could be seen/ They’d probably put my head in a guillotine, still asserts: Although the masters make the rules/ For the wise men and the fools/ I got nothing, Ma, to live up to. Read the rest when you have a chance, and see if it doesn’t ring even more true in the aftermath of financial and consumer collapse in 2009 than it did in 1965.

Even a song that is clearly comedic, like “Bob Dylan’s 115th Dream”, where Dylan actually busts up laughing at the beginning, uses absurdism and rhyme to lay bare the genocide and thievery at the heart of the founding of the country. The joking “On the Road Again” similarly insists on opting out of the great big out-of-control American nightmare: You ask why I don’t live here?/ Honey how come you don’t move? So too with the seemingly abstract poetry of “Mister Tambourine Man” and “Gates of Eden” which nonetheless seek out realms beyond the straightjacket of everyday life.

There are more personal moments too, including what I think is one of the most beautiful love songs ever written, “Love Minus Zero/No Limit”. My heart aches every time I hear the lines: My love she speaks like silence/ Without ideals or violence/ She doesn’t have to say she’s faithful/ Yet she’s true, like ice, like fire, not least because I know nothing I write will ever touch it. “She Belongs to Me” shimmers with line after line of beautiful poetry subtly undercut by the servitude to the woman it portrays. Words also fail to describe the bitter beauty of “It’s All Over Now, Baby Blue”, a breakup song that assigns longing and melancholy regret for the breakup to the other party, surely a neat trick if there every was one. It also seems a kind of bridge to the albums larger theme of protest, the bereft woman as American society itself, told to leave failed excess behind and begin again:

Leave your stepping stones behind, something calls for you.
Forget the dead you’ve left, they will not follow you.
The vagabond who’s rapping at your door
Is standing in the clothes that you once wore.
Strike another match, go start anew
And it’s all over now, Baby Blue.

40 Poems in 40 Days!

At the San Francisco Writer’s Conference in February I went to a poetry workshop where two poet-professors from Davis, Brad Henderson and Andy Jones described their semi-annual ritual/challenge of doing 40 poems in 40 days. The idea is, regardless of quality of result, to write a poem a day every day for forty days as a way of kicking your poetic muse into gear. They do this a couple times a year, although typically only a handful of the resulting poems go on to be used elsewhere. They even provided a list of daily prompts to guide your efforts if you need direction.

This whole venture sounded like fun, and fit nicely with my own intention for the year to re-connect with my muse. I knew I would be busy in March and April with my film project, so I decided I’d give it a try starting in May. And here we are! Being a confessionalist in my writing, I’ve decided to share the process with you, my hapless victims. The first ten day’s worth are below, more to follow…

Warning: These are meant to be exercises, and some of the prompts that inspired them are intentionally nonsensical. Proceed at your own risk…

Hot Water
(for Robert Frost, “Fire and Ice”)

Some said fire, some said ice
but Frost (great seer)
got it right on both counts:
the lineaments
of our slaughter
are even now
being traced
by the drip, drip, drip
of hot water

A Truth Beyond All Truths
(owing something to Wallace Stevens’ “Landscape with Boat”)

Anti-matter, florid, eccentric

Meets its opposite and wipes out all things
Leaving behind the scintillating blue array
Of particle trails
Rushing out from a point that is no point
Primeval blank vacuum field

In the Night before all nights
Something erupted there,
Or nothing,
Whichever, kept expanding
Into all the things that now are

The truth, even now,
Is that these things are still the nothing
They once were,
Even we are that nothing
Which is to say something

We, all, the empty space
From which pours infinite creation

untitled
I would lie there
twelve years old
on the sand
between the dusty spread legs
of two oak covered hills
yearning for something
that stirred
like the slit-eyed leopard sharks
in the crusted salt
brackish tang
and sinuous twist
of the slough before me

Rocking Pneumonia and the Boogie Woogie Flu
All 200 patients
of the Denton Regional Medical Center
in Denton, Texas
have custom headphones
built into their beds
that play every Aerosmith song
ever recorded
on demand

Since most of the patients are older
classics are popular
In Cardiology, Radiation Oncology and
Geriatric Neurology
it’s strictly
“Sweet Emotion”, “Dream On”
and “Mama Kin”

Even down in Progressive Care
and the Adolescent Unit
they still have the good sense
to pick it up with the Run-DMC remix
of “Walk This Way”
and cut it off circa 1994
with “Cryin’”

Only in the Psych Ward
in the basement
does anybody have the
bad taste, or derangement
to listen to
“I Don’t Want to Miss a Thing”

Nightmare of myself given childhood encouragement and high school confidence
He feels nothing but satisfaction,
a kind of ownership,
as he slaps the behind
of the lithe young blonde
lounging in satin
on his way to the shower.
More of the same
in the streamlined gleam
of his sports utility vehicle
gliding down LA freeways.
The feeling reaches a peak
in the glass-walled office
where all eyes at the trading desk
behold him with nervous regard
while his view
sweeps the city
that the electronic millions
he commands
courses through
as he confidently ignores
their expected reverence.

ellipsis
Of all the…
I have ever…
the one
that endures is…
Even now… rises
at the memory of… …
lying… on the…
as we… the width
and breadth
of…
until…
ran its course
and…
took its weary toll

It’s Surprising to Me Too
Legions of menstruating grandmothers for Obama
Will have their final battle
With the spider monkeys of doom
On the caldera of an Icelandic volcano
On July 4, 1876
For reasons that are yet obscure
But will one day be the subject
Of Applied Chronametrics term papers
Flashed through cerebral upload academies
By eight year olds

600 Montgomery
It squats at the bottom
like a giant marble bullfrog
The functionless top scratches heaven
with its ornamental cement pylons
In-between
stack upon stack
of white stone, black window
options narrow

Question to the Taiwanese birders I met at the Explorer’s Inn, Tambomachay, Peru
Do grebes float
In the Rio Tambobo?
Venturers
through a fluidic space
whose muddy bottom
is as bone-littered
as the Chauchilla Cemetery,
do they brave caiman,
giant river otters
and threats whose taxonomy
I can’t even name
and then emerge
to build nests
in green jungles
abutting sandy riverbanks?

I began to seek the way out long before
We lived in Salinas, I was only six or seven. I was not allowed to go to the 7-11 by myself. I snuck there anyway with my next-door neighbor. On the way back we cut through an abandoned lot. We got away with it! Home, no evidence, parents never even knew—“What happened to your foot?” I looked down to find my right foot covered in blood. I must have cut it on broken glass in the lot. I didn’t feel it before, but as soon as I saw it, I screamed and cried. Pain? Yes. But almost as bad— Caught! Lying, guilt, doing what I wasn’t supposed to. My foot throbbed and pumped out crimson. The blood shooting up the dropper’s neck, in my system even then. It left behind a triangular scar that remains to this day.

May Writing News

And now the year is one third over! Don’t fret, though. Good things are afoot creatively, which I shall share with you forthwith:

Film- We finished seven days of shooting in April for the short film that I’m writing and producing, “Three Conversations About No Thing”. This month the crew is working on editing, and we’ll screen the film, or some portion thereof, during Scary Cow’s quarterly screening at the Victoria Theatre on Sunday June 7th. Invitations will be headed your way once tickets go on sale! And, as if that’s not enough, I’ll also be appearing at the screening (briefly) as a pizza delivery guy in “Just Super”, someone else’s project that I did some crew work on.

Publication- I’m at 14 submissions year to date, not quite one a week, but still a pretty good pace. The acceptance rate is currently hovering around 7%, which hopefully will revert toward last year’s mean later in the year and net a few more publications. Meanwhile, a poem I submitted last year has just appeared in the SoMa Literary Review, which I’m very excited about: http://www.somalit.com/(untitled).html . I also continue to write for LEGENDmag, an online and offline publication covering the progressive urban independent lifestyle. You can read one of my latest here: http://legendmag.net/thelegendonline/2009/04/16/i-make-movies/

Performance- I read at the Café International open mic on April 24th. At first the whole scene there seemed very chaotic, but it grew on me by the end of the evening. Furthering my pledge to read somewhere once a month, I’m aiming to hit Brainwash’s open mic Monday May 18th. Details to follow…

Novel- I’m expecting to hear back this month from a freelance editor I met at the San Francisco Writer’s Conference in February, who’s doing an evaluation of the manuscript of my novel, Out In The Neon Night. Hopefully this will help me plan the next step of targeting a new round of agents and publishers. In the meantime, you can read the first chapter on my blog: http://chris-west.blogspot.com/2009/02/first-chapter-of-my-novel-in-neon-night.html

Blog- And then there’s the blog. Fascination and fear at future evolution, thoughts about being a man and reflections on personal holidays can all be found here: http://chris-west.blogspot.com/

Back in June, at which point the year will be almost half over! I promise I’ll get off this passage of time trope soon…

Independence Day

I think it’s quite as important to have private holidays as public ones.

Thanksgiving, Easter, Memorial Day and their kin can, perhaps, bring us together as a community and help us remember important things. But there are also private dates of remembrance that can bring us together with ourselves. These dates of ritual observance can remind us about where we’ve been and give us occasion to think about where we’re going.

Yesterday, for example, was my Independence Day.

On May 3, 2002 I went to stay with friends for the weekend while my wife moved out of our apartment. Regarding the specifics, I’ll only say that she had her reasons, she did it after two and a half years of trying to get me to do it, and nothing we did to try to hold it together in the interim had worked.

At the time I was melancholy, and vaguely terrified, but looking back it was a profound gift. Within a few months, things that I had put on hold for years had reawakened. I was writing again, buying new music, getting out in the town to try a hundred new things. Our separation lengthened into divorce and I began the baffling process of learning to love again.

Other things reawakened to, old demons of depression and addiction, and the past seven years have had their share of heartbreak and turmoil. But I grew through them, and, looking back, everything that I think of now as who I am- the people I know, the things I do, what’s most important to me in life, came about after this date. I’m so grateful that life (and to be fair, her) gave me the kick in the butt I needed to start to become a whole person.

I treasure this wholeness now, and want to use this seven-year anniversary to reaffirm my commitment to continue to pursue it no matter what.

Men’s Stories

Last night I went to a performance in Berkeley put on by a group called the Men’s Story Project. Like most good ideas, the MSP’s is pretty simple: Patriarchy is as harmful to men as it is to women, and, in the course of its operation squeezes out voices that don’t fit. The way these voices are silenced is part and parcel of how heterosexism, racism, gender bias etc. silence the voices of gay people, non-white people, women, etc. So a part of those liberation movements is that men liberate themselves from restrictive ideas of masculinity, and get in dialogue with each other and with others about their unspoken truths.

The MSP aims to gather these voices together and give them a place to be heard. So far they’ve made a short film, produced several public events and even put together a training manual so new groups can be started in various locales. And put together this event in Berkeley where sixteen men presented their stories in spoken work, performance art, dance and monologue on issues including overcoming a life of violence, surviving testicular cancer, struggling with how being gay or disabled fits with being a “black man”, and fear of peeing in public.

I can hardly tell you how moved I was by this.

As a child who was soft-spoken, sensitive and couldn’t catch a ball to save my life, I never felt like I belonged with the other boys. Plenty of them felt the same way and made sure I got the message through exclusion, taunting and bullying. Years of being lost in the woods of drugs, alcohol and sexual and romantic obsession were all ways of trying to bridge this gap internally, but it still never quite felt “right”. To this day I have zero interest in sports, no mechanical aptitude and otherwise frequently feel alienated from my own internalized idea of being a “real man”. Despite being straight, I prefer the company of women and gay men and am as likely as not to identify with their concerns socially and politically.

To see a group of men onstage exploring there own experiences of mismatch and struggle with the traditional idea of masculinity was tremendously affirming. It underscored for me the right and need to define what being a man is on my own terms. Making space for the creation and affirmation of one’s own identity is what freedom movements are all about after all, and men (even straight ones (even white ones)) are as in need of it as anyone else. At least I am!

Man has invented his doom…

Those of you who know me well know that I am a follower of the prophet Bob Dylan. He, of course, hates to be thought of in those terms, and I can entirely see his point vis-à-vis never intending that status for himself or wanting others to see him that way. As any devotee of the Old Testament can tell you, though, prophets are always reluctant. The initial response to the prophetic call (cf. Abraham, Moses, Elijah, Isaiah, Jeremiah, Ezekiel, etc.) can be summarized as, “Whoa, hey, wait a minute, I think you’ve got the wrong guy.”

The marker of prophethood is really more the quality of the revelation that demands to be expressed through the prophet rather than the prophet’s giving assent to bear that message. In that sense, I will go ahead and consider Dylan a prophet, and will proceed to cite one of the passages from his 1983 song “License to Kill”:

Man has invented his doom,The first step was touching the moon.

I always found this refrain to be particularly evocative. It brings to mind a consistent theme in classical apocalyptic literature, that a fundamental rearrangement in human affairs is at hand, and that it is augured in by signs in the heavens. It also features one of the motifs of post-modern apocalypticism, that our own technological overreaching is responsible for the setting the final sequence of events in motion.

This is more or less what I think is already occurring: between advances in computers, human-machine interactions and genetic engineering, the seeds are being laid for the creation of a post-human state that will fundamentally change our existence as we know it. Before the end of the century, we will give birth to (or become (or both, simultaneously)) a new species that will exceed us. Our “doom”, if not necessarily in the sense of destruction, then in the sense of “destined end”. And new beginning…

So, inspired by Dylan and in honor of the recent end of Battlestar Galactica, which itself explored this idea of the consequences of a technological apotheosis and riffed off of Dylan, I’d like to share some links I’ve collected from the first quarter of this year that perhaps show our future, even now, taking form:

Brain-computer interface for gaming http://www.cnn.com/2008/TECH/science/09/08/Futureofgaming/index.html

Quantum releportation over 1 meter distance http://www.sciencedaily.com/releases/2009/01/090122141137.htm

Breakthrough makes human cloning more likely http://blog.wired.com/wiredscience/2009/02/human-clones-ap.html

FDA approves first drugs from genetically altered animals http://news.yahoo.com/s/ap/20090206/ap_on_he_me/gene_drug_altered_animals

Contact lens TV http://tech.yahoo.com/blogs/null/121134

Picture overview of robot developments http://www.boston.com/bigpicture/2009/03/robots.html#photo26

Man sees with bionic eye http://news.bbc.co.uk/2/hi/health/7919645.stm

Quick charging batteries could revolutionize world http://www.engadget.com/2009/03/12/mits-quick-charging-batteries-could-revolutionize-the-world-ma/

Brain Scans Can Read Minds http://news.yahoo.com/s/livescience/20090313/sc_livescience/brainscanscanreadmemories

Sugar-coated nanoparticles find hidden tumors http://dsc.discovery.com/news/2009/03/30/nanoparticles-cancer.html

Robot scientists can think for themselves http://news.yahoo.com/s/nm/20090402/sc_nm/us_science_robots

April Writing News

Hard to believe that the year is now 25% over! As a constant generator of internalized time-pressure, this of course fills me with a vague sense of unease about my progress year-to-date. Fortunately, I have these monthly updates, so I can now replace that vague feeling with a very concrete unease about exactly where I am, and share it with all of you!

Film- I’m now fully into the swing of producing the short film that I’ve written, “Three Conversations About No Thing”, for Scary Cow, the independent film-making co-op that I’m part of. It’s looking to be about twenty minutes, and the crew and I just completed the first week of filming, and will shoot more next week. Then follows several weeks of post-production, and a screening at the Victoria Theatre on June 7th. I’m super-excited about the great director, crew and actors working on it, and looking forward to seeing the final, which you can bet I’ll be pushing tickets for on all of you when the time comes.

Publication- My pledge to submit something somewhere every week in 2009 is still in pretty good shape, minus a week here and there. Acceptance and rejection rates are tied at 10% each, with 80% “the sound of one hand clapping”. I currently seem to be on hiatus with the online culture magazine The Rumpus, but if they come back begging me for more and I deign to accept, I’ll let you know. Meanwhile, I continue to write for LEGENDmag, an online and offline publication covering the progressive urban independent lifestyle. You can read my March 4th discovery of my identity here: http://legendmag.net/thelegendonline/2009/03/04/quisp-like-me-the-queer-identified-straight-person/

Performance- Okay, okay, see, work and movie-making both got crazy in March. So I didn’t end up reading anywhere. I’ll get back to it this month, I promise! Let’s say the last Friday of the month, April 24th, at the Café International open mic (Haight & Fillmore)? I’ll see you there…

Novel- I’m taking the plunge and submitting the manuscript of my novel, Out In The Neon Night, to a freelance editor I met at the San Francisco Writer’s Conference in February. She’s going to help me evaluate its readiness to be submitted to agents and publishers, and possibly also target a select list of them. In the meantime, you can read the first chapter on my blog here: http://chris-west.blogspot.com/2009/02/first-chapter-of-my-novel-in-neon-night.html

Blog- Speaking of my blog, see my desperate excuse making in the “Performance” section above. I may not have posted much there is the past month, but what I have you can find here: http://chris-west.blogspot.com/

I’ll get back in touch with you at the beginning of May, at which point the year will be 1/3 over. Egads!

March Writing News

February was a short month, but I figure it is nonetheless good practice to keep current with regular updates on my creative doings. Even though I still wish we had the leap-day this year. Here’s the latest:

Film- I’ve taken the plunge, and am producing a short film that I wrote for Scary Cow, the independent film-making co-op that I’m part of. The working title is “Three Conversations About No Thing”, and it depicts three conversations about relationship-centered topics that take place in and around a restaurant at the same time. We’re having our first production team meeting this week, and beginning casting this weekend. Assuming we finish, it will show at the Castro on June 7th as part of the Scary Cow screening there. I’ll keep you posted on the latest production news between now and then.

Publication- So far for 2009 I’m doing pretty good keeping up my pledge to submit on a weekly basis. I’m at 7 submissions, with a 14% acceptance rate. That also equals 1 for those of you mathematically inclined, and that one has led to my semi-regular gig with the new online culture magazine The Rumpus.net: http://therumpus.net/author/chris-west/. I continue to write for LEGENDmag, an online and offline publication covering the progressive urban independent lifestyle. You can read my February 12th musing on Hipsters that I wrote for them here: http://legendmag.net/thelegendonline/2009/02/12/hipsters-hipster/ .

Performance- I’m good through February on my commitment to read in public at least once a month, since I read three poems at Sacred Grounds weekly Thursday night poetry reading last week. It was good clean fun, and I think I was the second youngest reader there that night, which is a nice treat at 38. For March I have my eye on Brainwash Café, I’ll let you know the date when I settle on it.

Novel- I speed-dated my novel Out in the Neon Night with agents at the San Francisco Writer’s Conference last month. While nothing concrete came of it, it gave me an opportunity to develop and sharpen a pitch; I met some great writers from all over the country, and was totally inspired in general. One person I met there was a former editor now freelance agent who I’m going to have provide a professional evaluation of the manuscript, which hopefully will help me target agents and publishers. In the mean time, I’ve put the first chapter online, in case anybody wants to see a sample: http://chris-west.blogspot.com/2009/02/first-chapter-of-my-novel-in-neon-night.html

Blog- My blog gathers steam, with two entries in January and three in February. Perhaps we’ll see four in March? If so, you’ll find them here: http://chris-west.blogspot.com/

I’ll be back with more in April!